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F for Fake – Criterion Collection Movie Streaming. Movie Title: F for Fake – Criterion Collection Average customer review: F for Fake – Criterion Collection is available for streaming or downloading. Click Here to Stream or Download F for Fake – Criterion Collection

I thoroughly enjoyed this laughable quasi-documentary. But then, I’d sit through 90 minutes of Orson Welles sitting in front of a white sheet talking about anything. Has there ever been a more involving story sing? His voice-over for the trailer of STAR TREK: THE MOTION Report made it sound like the Second Coming of Christ!

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Some of the other reviewers here sound as if they could employ some Ex-Lax. Chill out, will ya? This isn’t supposed to be a profound statement. The dilapidated man’s honest having a exiguous fun.

Having said this, I will immediately contradict myself by noting that the scene in which Welles ruminates on the longevity of art while contemplating Chartres Cathedral touched me deeply. In the context of his tattered career, and the ever-growing stature of his masterpiece CITIZEN KANE, it suggests that Welles at last attained some measure of peace with his life and achievements.

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The DVD itself looks and sounds terrific.

His last major work as a filmmaker, Orson Welles’ “F for Untrue” (1973) survives as a rough-edged yet titillating essay on the art of fraud. In this instance, we have three celebrated subjects: art forger extraordinaire Elmyr de Hory, Clifford Irving (the novelist who conned the world as Howard Hughes’ “authorized biographer”) and Welles himself. Editing plays a indispensable role as the Vast Orson maintains his semi-documentary juggling act for 90 minutes. Fittingly enough, “F for Untrue” reveals more about the creator of “Citizen Kane” than the minor curiosities he examines. Welles ends his cinematic odyssey with an affectionate wink.
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Buy The Rescuers Online.. Product: The Rescuers Average customer review: Amazon Price: Sale Price Too Low To Display Click Here To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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When a small orphan girl falls into the hands of Madame Medusa and sends a message in a bottle, the Rescue Back Society answers in the create of Bernard (Bob Newhart) and Miss Bianca (Eva Gabor) . What can two mice possible do to attend the petite girl? It turns out they can do a lot.

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The movie starts on a reasonably comical stamp, as the rodent duo hop aboard an albatross to head for the swamps. Albatrosses are incredibly aerodynamic, but they are less then stellar at takeoffs and landings, and Orville the Albatross (Jim Jordan) proves no more adept than his brethren. After a plummet off a building that thrills Miss Bianca and petrifies Bernard, the dart has begun.

In the swamps the duo marshals the other animals to acquire on Madame Medusa (Geraldine Page), who needs the miniature orphan Penny (Michelle Stacy) to fit into a hole that leads to a cave. In the cave is located a quantity of jewels, but Madame Medusa is enthusiastic only in a expansive diamond called the Devil’s View. The Rescue Society mice and their swampland friends must overcome Madame Medusa and her aids Mr. Snoops (Joe Flynn) and a pair of alligators, who also frequently play babysitter to Penny.

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Madame Medusa never realizes that the mice and swamp animals are trying to rescue Penny, which makes this movie more challenging to scrutinize. As happens with many such movies, Madame Medusa’s henchmen are cerebrally challenged and the animals are able to understanding around them.

The ending of the movie contains a few surprises, and I found the destroy keen. This movie also nicely sets up the great sequel “The Rescuers Down Under.”

The precise star of this clever movie is Eva Gabor. Bob Newhart gets top billing, but Eva was perfect for her role and seems to net the best lines in the movie. She is clever, silly and brave as compared to Bernard’s shy character. Only when Miss Bianca is in pains does Bernard seem to rise to some measure of courage. There were a variety of other famous characters. Evinrude (James MacDonald) the dragonfly was cute and comical. George Lindsey was classic as Deadeye the Rabbit. Other supporting characters gave this movie depth and interest.

The art of this movie is also new in that the artist drew some of the characters in a rough style. I am unsure of the reason, but I found the art style to initially be distracting. I eventually became accustomed to the style and no longer noticed it as the movie went on. The music was also essential. A song from this movie was nominated for an Academy Award.

This movie is clever and humorous. In places the movie is tense and suspenseful. There are a few places where the alligators are a microscopic bit scary, but I possess this movie should be generous for all family members in line with the movie’s G rating. I would recommend this movie for any collection of family-oriented movies and for those who acquire spirited movies. Most families will want to gaze this movie more than once.

The Rescuers is Disney’s most underrated work! It was the last immense feature film before what became a strings of forgettable works like The Sunless Cauldron, The Gigantic Detective, Oliver and Company in which the Disney studio was trying to fracture into fresh ground but somehow was unable to salvage the honest formula.It wasn’t until The Runt Mermaid that Disney Studio has reclaimed it’s number one residence as the world’s greatest cartoon creator.Having said that, The Rescuers Down Under- produced after The Shrimp Mermaid – is a thorough disappointment, both in its myth and in its style of drawing. This always seems to be the curse of sequels! The Rescuers, however, has all of the Disney’s magic! Medusa is possibly one of the greatest of Disney’s villains, yet somehow she doesn’t glean on as did the others.T he only criticism I would originate is the opening of The Rescuers. It seemed that the studio had rush out of money when they were doing the opening scene, for all we have is a collage of storybook sketches from an artist’s impression.
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Stream Young Frankenstein Movie Online. Movie Title: Young Frankenstein Average customer review: Young Frankenstein is available for streaming or downloading. Click Here to Stream or Download Young Frankenstein

First, let me initiate by saying that the only reason I don’t give this 5 stars is that I wanted a bit more from the commentary track, as I expose below.

The narrate of this amazing movie is covered amply elsewhere, so I won’t bid what others have so well synopsized. I WOULD like to point out a couple of things about this particular DVD:

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1) The commentary track is accessible from the the LANGUAGE SELECTION menu, rather than from the special features menu (as is usual for commentary tracks) . I was terribly frustrated by this until I got some attend from Christian at boldopinions.com (thanks Christian!) .

2) Yes, the commentary track IS mostly Mel babbling, but there are some nice tidbits here (many of the cut-away shots were keep in because Gene Wilder kept breaking, Mel conception “Puttin’ On The Ritz” was frivolous, etc.) . It’s also heart-breaking to hear about how Marty Feldman’s health habits led to his death at age 59. Unfortunately, since Mel’s commentary leans toward the personal, we don’t obtain to hear about the roots of the dart-throwing scene (practically a duplication of a scene in “Son of Frankenstein”) — and I would Assert that the trees going by the window in the Transylvanian boom sequence are the same ones in the speak sequence in “Son of Frankenstein.” So we can’t have everything.

3) The documentary is really wonderful– it’s determined that everyone has warm feelings about the film, and the recollections are engrossing and insightful. It gives the movie added dimension, so don’t pass it over.

I haven’t seen mention in the Amazon reviews of “Young Frankenstein” the multiple homages to “Son of Frankenstein,” not the least of which is Gene Wilder’s spot-on lord-of-the-manor affectations through many of the early Transylvanian sequences (in his grandfather’s bedroom: “And where is my grandfather’s PRIVATE library? …[book snatched from shelf] Why, these books are all very general [snap snap snap the pages]; any doctor might have them in his leer [SLAP book closed]” and the entirety of the aforementioned dart-throwing scene (in which Wilder is positively CHANNELING Basil Rathbone) . So produce “Son of Frankenstein” ALSO required viewing prior to seeing “Young Frankenstein.”

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Finally, I judge that Mel hits the nail on the head when he says (repeatedly) that so many scenes are emotional at the same time that they’re being amusing. This film was made with such worship by all concerned, and it shows. Yes, it can be occasionally crass, and go for definite cheap laughs (albeit Powerful less so than any movie Mel has made before or since), but what one ultimately takes away from this movie is the fantastic amount of care everyone took with the project. Hell, you might even rep yourself with a mosey in your glimpse at the waste (I did– the awesome regain by John Morris helps a lot!) . Alas, Mel and Gene were never again to collaborate on a script (it is unbelievable that the Borscht Belt comedy of Mel Brooks and the hopeless romanticism of Gene Wilder found such fertile creative ground in the first space!), so this movie is lightning in a bottle (pun intended) . Don’t miss it.

This may honest be the funniest movie of all time. Mel Brooks never before (and never again) worked with the tight parameters he did here: gene Wilder actually wrote most of the script, and that plus the employ of the archaic Universal sets and props seem to have kept Borooks’s more sophomoric instincts (which have gone overboard in some of his later films) tightly in check. Thus he–and everyone else in the film–is doing their absolutely finest work ever.

From Teri Garr “rolling in ze hay,” to Kenneth Mars’s inspired Police Inspector, everyone in the entire film seems to be working at their most hysterically hilarious. Special mention must be given to Gene Wilder giving one of his most classic performances of his strangled-fury schtick ever (”Assign… the candle… wait on!!!”) and to Peter Boyle, for his very poignant and droll depiction of the Monster.

But standing above all of the waste in terms of sheer brilliance is Madeline Kahn, giving what must be the funniest female performace ever on film as Frankenstein’s fiancee and the monster’s eventual bride. Unlike everyone else in the film, she’s not really parodying anyone other than herself; yet nevertheless her depiction of Elizabeth, the wealthy prude who discovers she’s a volcano of passion undeneath, is so droll I’m practically crying almost every time I observe this film. There’s one brief dinky scene where she’s brushing her hair in her boudoir before the Monster steals into her room and kidnaps her, and for absolutely no apparent reason(which makes the scene all the funnier) she’s giving vent to a deeply lusty rendition of “The Battle Hymn of the Republic” while brushing out her hair. It is the funniest five seconds in the entire film–and in a film this hilarious that’s saying a lot.
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This time-capsule film from 1971 is a perfect example of having one’s cake and eating it, too. Written and directed by filmmaker Tom Laughlin–and starring him in the title role–Billy Jack concerns a half-white, half-Indian karate expert who protects a free school built on principles of pacifism by kicking hell out of pesky rednecks. The story actually embraces that tension between Billy Jack’s way of doing things and that of the school’s founder (Delores Taylor), but their tension doesn’t so much lead to an examination of principles as it leads to an excuse for Laughlin to incorporate fight scenes between hippie politics. Crude and brutal, the film is pretty exploitative of a viewer’s torn sympathies, and in that way Billy Jack actually anticipates much of the simple-minded, violent fare that followed in the movies of the ’70s and ’80s. –Tom Keogh

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Billy Jack was good! You have to bet this movie! A superb performance by Lynn Baker & Dan Barrows make Billy Jack a “have got to back” movie!

The remarkable cast includes Lynn Baker, Dan Barrows, Susan Foster, Ed Greenberg, Howard Hesseman. This cast just make Billy Jack the more awesome!

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While I’ve never read the Philip Dick anecdote this movie is based on, I’ll have to say this fable has some strong points on its beget. Nicolas Cage is ample as “Frank Cadillac” or Chris, as he prefers to be called. He can behold two minutes into his have future, and this opens some intriguing possibilities. It’s comical to survey him hasten through several different bewitch up scenarios before finally finding one that will work with Jessica Biel. This ability also saves his life several times.

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The storyline moves along at a great hump. While there are some listless scenes, there are enough “Wow!” moments to preserve you curved until the raze.

Ah, the kill…there’s our plight. In an attempt to pull out a immense residence twist, we destroy up with a very cheated feeling. It’s almost as if we don’t win to gaze how it all ultimately works out. This could have been fixed with about 5 minutes more conceal time, but we don’t accumulate it. I’m blooming clear the DVD will probably have an alternate ending in there somewhere because I can’t own this is how they originally envisioned it.

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As a whole, this was a proper movie and I really enjoyed it. It wasn’t perfect, and seemed to stumble under the weight of its location a couple of times (who were the terrorists? where did they score the bomb? Why would a woman like Jessica Biel agree to drive a man she’d objective met across the desert…especially when the guy looked like a psycho? ), but it was worth the time it takes to eye it.

Next brings to the hide the tale of Chris Johnson, a.k.a. Frank Cadillac, a down-on-his-luck onstage Las Vegas magician with a rare gift: to be able to peruse two minutes into the future! Things “liven up” when a government agent in her trouble to get a group of terrorists aiming at detonating a nuclear bomb somewhere in the United States attempts to enlist Chris Johnson who seems to be rather preoccupied with other matters…

There are tiny hints of the X-Files, Deja Vu (Denzel Washington), Frequency (Dennis Quaid, James Caviezel), Timecop (Van Damme) and The Lake House (Keanu Reeves, Sandra Bullock) .

Nicolas Cage, Julianne Moore, Jessica Biel, and the rest of the cast, have truly outdone themselves with their performances, which are outstanding to say the least! All the actors, without exceptions, give it their 100% and it really shows (the chemistry is Wonderful)! Very well written and very well presented, the movie is without a doubt guaranteed to provide more than objective a few thrills.

The only major setback is in relation to those “geniuses” that came up with the French-speaking Europeans as the villains and with no explanation whatsoever as to their motive! It’s not as if there aren’t enough prospective terrorists out there, they’re lining up for crying out loud, so why go with some of the most unlikely candidates?

What European would even bother to act as such in reality???

Nevertheless, the setting, the site, the dialogues, and the music are all kindly.

In conclusion, Next is a movie definitely worth watching and one to seriously mediate adding to your movie collection as it is one of those films that gets you and keeps you thinking long after it’s over. 4.5 Stars

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The Spirit of St. Louis was a box-office disappointment. That will never change. But what may change is the opinions of critics and the public on how this film should be viewed. It has all of the makings of a successful film: a spacious director in Billy Wilder, a anecdote in Jimmy Stewart, and it’s based on the autobiography of an American hero in Charles Lindbergh.

No matter what sign sales were like, it is a well-done film. One cannot thunder the fact that Stewart was not the upright age to play Lindbergh, but it doesn’t really bewitch anything away from the film. Lindbergh always seemed to be more wise than his age would suggest anyhow.

The VHS version is pretty, and until the DVD version is released (if ever) this is the only plot to go.

Jimmy Stewart stars as the “Lone Eagle” Charles Lindbergh in Billy Wilder’s film “The Spirit of St. Louis”. This was a film Stewart wanted to accomplish for years; but was repeatedly turned down. James Dean was even considered for the role. Despite the fact that Stewart was already in this 40’s (Lindbergh was 25 at the time), Stewart’s persistence paid off and Warner Bros. Studios finally relented and let him star as one of American’s greatest aviators. The life of Charles A. Lindbergh is told in a series of memorable flashbacks as he makes his trans-atlantic flight. His life experiences and the people he met along the draw are vividly recounted.

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On May 20, 1927, at approximately 7:52 in the morning, Charles Lindbergh took off in the “Spirit of St Louis” from Roosevelt Field, Long Island. A crowd of more than 500 must have notion they had witnessed a miracle as the “Spirit of St. Louis” barely managed to definite the telephone wires at the field’s edge in poor weather conditions. Thirty-three and one half-hours and 3,500 miles later Lindbergh landed in Paris, the first to soar the Atlantic alone. Many big aviators of the time had tried and failed — some even lost their lives in this attempt. Along the method, Lindbergh is forced to conquer his fears, snow, sleet and a lack of sleep to rediscover his faith. On the evening of May 21, at 10:22, “The Spirit of St. Louis” touched down at Le Bourget Field. A crowd of more than 100,000 people were there to greet American’s Lone Eagle. His feat electrified a nation and inspired an interest in aviation. Unfortunately, this film flopped at the box office; but as the years have passed, this film has gained in respect and is now recognized as one of Stewart’s greatest film accomplishments. Indulge In!
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20th Century Fox was and to this day unexcited is one of the major studios in Hollywood. The studio has a long and celebrated history and has made some of the most enduring classics in film. From minute superstar Shirley Temple to the massive nearly crushing drama surrounding “Cleopatra” and beyond into a 21st century mega-studio this documentary leaves no stone unturned as it majestically rolls along. Colossal clips are presented along with reminiscences of some dilapidated Fox stars.

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A must have documentary for any film fan or historian. And for me it brought up so many memories of hours spent watching some of Hollywood’s most enduring films. For fresh buffs it is like opening a hidden appreciate trove of films and will wet the appetite for exploring our rich and unbelievable cultural history as preserved in celluloid.

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If you are a movie buff like myself, then this dvd is a MUST for your collection. The clips of past movies is both delicious and intelligent. This was the era of gigantic movies, unlike what is being made today. Sit encourage and relive the days when going to the movies was a really grand treat.
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After thirteen years in limbo, Mick “Crocodile” Dundee is attend. This was a really luscious movie that everyone in my family enjoyed watching. The relate provides lots of laughs and the sage works rather well.

Mick and the adore of his life, Sue, have a son together and are living in Mick’s home territory of the Australian Outback. However, a publisher at a Los Angeles newspaper that Sue’s father owns suddenly dies and her father temporarily offers her the place until a permanent replacement can be found. Surprisingly, Mick agrees and they travel to LA. Once there, Sue begins to investigate the sudden death of the previous publisher and Mick goes undercover at a movie studio.

The critics blasted this film, but like many of the movies they review, they are design off target. The film is droll and family oriented. The status is more believable than many astronomical budgeted affairs and there is very runt violence and no sleaze. The only major drawback about the movie is that it has been thirteen years since the last Crocodile Dundee film. The movie fits well within the trilogy, but since it has been so long since the last movie was in theatres, grand of the movie’s humor is lost on the audience (there are several references to Mick’s character or things that happened previously, something you don’t know remarkable about unless you’ve seen the other films; this is an 80’s type comedy with a fresh sensibility, but if you’ve never seen an 80’s comedy remarkable of the humor will be lost) . Overall, a savory film that the entire family can enjoy; well worth your time and money.

Paul Hogan returns 13 years after the last ‘Crocodile’ Dundee film and surprisingly serene provides enough comedy and charm for several movies.

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‘Crocodile’ Dundee in Los Angeles is a aesthetic laughable movie, it’s also the most family oriented film out of the Croc trilogy. It’s comical, but never violent or sleazy. Essentially it’s another ‘fish out of water’ sage, but Paul Hogan’s Mick Dundee is such a fun character to witness and an easy one to like that the lack of an new yarn doesn’t detract too great from the proceedings.

It’s been 13 years since Dundee II, Mick and girlfriend Sue Charlton reside in Austrailia’s Walkabout Creek with their son. Mick quiet runs Never, Never tours and Sue is quiet a reporter for her father’s newspaper. When the editor of the LA branch dies, Sue’s father asks her to seize over operation in LA until a permanent replacement can be found. Sue agrees to do it and Mick agrees to near along and seize their son…before you know it, it’s off to LA.

There’s not noteworthy originality in the script, but it moves along quick enough and provides enough laughs…there are several comical moments in the film (especially the freeway bit) and the kid is surprsingly cute. If you’ve seen the previous two films, you know what to ask. What makes this film work, especially as an aimable family flick, is the charm and warmth of it. It’s not overly sappy, but a character like Dundee is one that children will win a kick out of, because his misadventures are comical and a itsy-bitsy comical. Parents won’t mind their kids watching because Mick is a character that gets along with people and sees the obedient in them…it’s an outlandish theme to regain in today’s ‘family’ films, but one that parents will enjoy their kids learning.

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Don’t listen to the critics when making up your mind to sight this film, they’ve been diagram off disagreeable. ‘Crocodile’ Dundee in Los Angeles is a amusing, charming movie. One that parents can bask in because it’s legitimately comical, and one that parents won’t mind showing their kids for the same reasons and also because it’s superior, unbiased and super fun.

Can’t wait for this trilogy on DVD, it’s a must add to your collection!
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Oh what an out-and-out joy is this film!

As you know by now, the fantastic James Cagney sings, dances and acts his device through this rousing biopic of George M. Cohan. He’s directed by Michael Curtiz, a director who apparently could work in any genre of movie, and invent masterpieces. Pull up his name on imdb and you’ll study what I mean.

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Anyways, the film traces his life from his infant vaudevillian beginnings to his conquering of Broadway. After seeing this, you’ll know why there’s a statue of Cohan in Times Square.

The acting, as expected, is pleasurable, with the sweet Joan Leslie as his admire interest Mary, Walter Huston as his dad; Cagney’s sister plays Cagney’s sister…but what will bring you to recognize this movie again and again are the musical interludes.

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Cagney is simply spectacular. He is a comet, bouncing around the Broadway stage. His dancing often flirts with straight-out levitation. I articulate there are times when his feet flit across the cover…

Then contemplate the songs…”Yankee Doodle Dandy”, “Mary”, “Give My Regards to Broadway” and the most patriotic song I’ve ever heard, “Over There.”

That song was written for the troops of WW I, and this film was being made when Pearl Harbor was attacked. The design this one song is faded in this film, I guarantee, will end with you forever. And intelligent that this movie was made during that time only enhances your experience…but I didn’t know it until afterwards, and it made no disagreement.

And that leads to the one thing I feel is overlooked in most reviews of this film: the script. It’s has a strong epic, huge lines, terrific set-pieces and exquisite twists. It’s laughable as all-get-out, and heart-wrenching when you least examine it.

The movie is as American as can be…the rags-to-riches rise of the central figure in Broadway history (the Broadway musical being essentially an American creation), the plot his family travels to all the unique states as they are incorporated…the evolution of Unusual York City…WW I…WW II…it’s all here!

And from beginning to ruin, Cohan (and the filmmakers) wear their “Gargantuan Mature Flag” on their proverbial sleeves, proudly and unabashedly. Patriotism is a positive theme througout the film, rising to dizzying heights just before the credits. Patriotism portrayed simply and honestly, without any hard political zigzag or satirical edge.

The DVD, one of those sweet Warner 2-disc sets, is exemplary…stout transfer, nice extras…bravo Warner, again, for treating your classics with respect.

It’s inarguable: this is one of the mammoth films of all time. I envy those of you about to perceive it for the first time, and I train you it won’t be your last!

GREAT FILM! And making it to the top 100 (for the 100 best movies ever made), this musical starring James Cagney as George M. Cohan is about the life of Cohan and the 4 Cohan’s. George Cohan, wrote songs such as “The Yankee Doodle Boy”, “Give My Regards to Broadway”, “Overthere”, “You’re a Expansive Old-fashioned Flag”, “Mary”, “Off The Characterize”, “H.A.R.R.I.G.A.N.” etc….

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In this movie playing his sister (Josie Cohan), is really his exact sister (Jeanne Cagney) . And on the place, Eddie Foy was played by a son of his (Eddie Foy Jr.) . At the ending when James Cagney is walking down the stairs, then is tap dancing was not in the script. Originally Cagney was to unprejudiced traipse down, the rest he improvised.

If you’re keen in musicals with noble stories to issue and song & dances numbers (that were first done by Cohan when the plays first came out and were a expansive hit.), this would be a trustworthy movie to earn for your classic musical collection.
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